OLE OLE 2.0 Song Lyrics in Hindi

देखा जो बेबी तेरा नखरा

तो दिल ये बोले

ओले ओले ओले ओले

नखरा लगे है टोटल वखरा

तो दिल ये बोले

ओले ओले ओले ओले

मुझको लुभाती है जवानियाँ

मस्ती लुटाती ज़िन्दगानियाँ

माने ना कहना मेरा

दिल चाहे बस तेरा हो ले

ओले ओले ओले ओले ओले ओले

जब भी कोई लड़की देखूं

मेरा दिल दीवाना बोले

ओले ओले ओले ओले ओले ओले

गाऊं तराना यारा

झूम झूम के हौले हौले

ओले ओले ओले ओले ओले ओले

तेरी नीली नीली आंखें

करती है मुझे इशारे

चेकआउट तुझे करते http://archerlkdy686.iamarrows.com/read-the-next-lyrics-in-the-two-languages हैं

ये क्लब के लड़के सारे

ज़िद्दी है दिल ये मेरा

तुझे पाके ही रहेगा

बस छोड़ के सारे हैंगअप

मेरी बातों में तू आरे

ऐसे करूँ मैं मनमानियां

अच्छी लगे मेरी शैतानियां

हिन्दी ट्रैक्स डॉट इन

देखा तुझे तो चलती

सांसे मेरी हौले हौले

ओले ओले ओले ओले ओले ओले

जब भी कोई लड़की देखूं

मेरा दिल दीवाना बोले

ओले ओले ओले ओले ओले ओले

स्वैग वही पुराना

फिर से दिल दीवाना बोले

ओले ओले ओले ओले ओले ओले

Mannurunda Lyrics in Tamil Script

பல்லவி

மண்ணுருண்டை மேலே இந்த மனுச பையன் ஆட்டம் பாரு

கண்ணு ரெண்டும் மூடி புட்டா வீதியிலே போகும் http://donovanteaa598.institutoalvorada.org/read-the-next-lyrics-in-the-two-languages தேரு

அண்டாவில் கொண்டுவந்து சாராயத்தை ஊத்து

ஐயாவோட ஊர்வலத்தில் ஆடுங்கடா கூத்து

ஏழை பணக்கார எல்லாம் எங்கே ஒன்னு பங்கு

கடைசியில் மனுஷனுக்கு ஊத்துவாங்க சங்கு

நெத்தி காசு ஒத்த ரூபா கூட வரும் சொத்து தானே

செத்தவரும் சேர்ந்து ஆட வாங்கிப்போட்டு குத்துவோமே

சாராயம் குடிச்சவங்க வேட்டி அவுந்து விழுமே

குடம் உடைக்கும் இடம் வரைக்கும் பொம்பளைங்க அழுகுமே

ஆயிரம் பேர் இருந்தாலும் கூட யாரும் வரல டா

அடுக்குமாடி வீடு இருந்தும் ஆறடிதான் மெய்யடா

ஆயிரம் பேர் இருந்தாலும் கூட யாரும் வரல டா

அடுக்குமாடி வீடு இருந்தும் ஆறடிதான் மெய்யடா

கீழ்சாதி உடம்புக்குள்ள ஓடுறது சாக்கடையா ஐயா ஓடுறது சாக்கடையா

அந்த மேல் சாதிக்காரனுக்கு அந்த மேல் சாதிக்காரனுக்கு கொம்பு இருந்தா காட்டுங்கய்யா

உழைக்கிற கூட்டமெல்லாம் கீழ்சாதி மனுசங்களாம்

உட்கார்ந்து திங்கறவனெல்லாம் மேல்சாதி வம்சங்களாம்

என்னங்கடா நாடு அட சாதியை தூக்கிப் போடு

என்னங்கடா நாடு அட சாதிய பொதைச்சு மூடு

என்னங்கடா நாடு அட சாதியை தூக்கிப் போடு

என்னங்கடா நாடு அட சாதிய பொதைச்சு மூடு

Arivum Anbum Lyrics in Tamil & English

Kamal Haasan : Podhu Nalamenbadhu

Thani Manithan Seivathae

Than Nalamenbadhum

Thani Nabargal Seivathae

Bombay Jayashree : Podhu Nalamenbadhu

Thani Manithan Seivathae

Andrea : Than Nalamenbadhum

Thani Nabargal Seivathae

Kamal Haasan : Aladhi Anbirunthaal…

Yuvan Shankar Raja : Anaadhai Yaarumillai

Kamal Haasan : Adatha Thuyar Varinum…

Anirudh Ravichander : Vidaathu Vendriduvom…

Siddharth : Aganda Paazh Veliyil…

Oor Anuvaam Nammulagu..

Mugen Rao : Adhil Neerae Perumalavu…

Naam Adhilum http://jasperakaz173.simplesite.com/445905095 Sirithalavae…

Anirudh Ravichander : Sarichchamam Yendridum Munbu

Unai Samam Seidhida Paaru

Ghibran : Sinaiyurum Siru Uyir Kooda

Ghibran & Anirudh : Uravena Purindhida Paaru

Chorus : Sarichchamam Yendridum Munbu

Unai Samam Seidhida Paaru

Sinaiyurum Siru Uyir Kooda

Uravena Purindhida Paaru

Sid Sriram : Ulagilum Periyadhu…

Ghibran : Ulagilum Periyadhu…

Kamal Haasan : Ummagam Vaazh Anbu Thaan

Ghibran : Ummagam Vaazh Anbu Thaan

Sid Sriram : Ulagilum Periyadhu…

Chorus : Oooohoooo…

Anirudh Ravichander : Nam Agam Vaazh Anbu Thaan

Shankar Mahadevan : Pudhu Kandam Pudhu Naadu

Yena Vendraar Pala Mannar

Avar Yennaalum Yeidhaathathai

Shruti Haasan : Silar Panbaal Ullanbaal

Udan Vaazhndhu Uyir Neethu

Kamal & Shruti : Adhan Pinnaalum Saagatha

Unarvaagi Uyiraagiraai

Devi Sri Prasad : Sarichchamam Yendridum Munbu

Unai Samam Seidhida Paaru

Anirudh Ravichander : Sinaiyurum Siru Uyir Kooda

Uravena Purindhida Paaru

Sid Sriram : Sarichchamam Yendridum Munbu

Unai Samam Seidhida Paaru

Sid Sriram & Yuvan : Sinaiyurum Siru Uyir Kooda

Uravena Purindhida Paaru

Devi Sri Prasad : Azhivindri Vaazhvadhu

Kamal Haasan : Azhivindri Vaazhvadhu

Devi Sri Prasad : Nam Arivum Anbumae

Kamal Haasan : Nam Arivum Anbumae

Kamal Haasan : Azhivindri Vaazhvadhu

Ghibran : Azhivindri Vaazhvadhu

Kamal Haasan : Nam Arivum Anbumae

What an innocuous title, right? I mean how hard can it be to write lyrics? As there are are only 12 notes in the scale, there are hundreds of thousands of words, and therefore billions of possible combinations.

A better title for this article could be: The way to write good lyrics. But then, bear in mind that most art is subjective, and also one person's meat is another's poison, possibly a smarter title still might be: how to write better lyrics. Presuming you write them, of course!

Part of the issue with analysing all things'song', is terminology, and also, received wisdom. In the US it's a'bridge', however in the UK it could well be the'middle 8'. Received wisdom also says that lots of customers of music are not that enthusiastic about lyrics.

And I can get any sum of examples online to disprove that.

So, let's park some pre-conceptions about writing songs at this time. What's going to be laid out below are a few techniques to test -- plain and easy. Here is the basic, generalized guide for how to compose lyrics.

Just do it.

Yeah, borrowing from some renowned sports brand there, however, it's pretty damn contextual, right? The ideal way to improve any artistic enterprise -- such as mastering how to compose lyrics -- would be to do it.

Malcolm Gladwell posited that in the event you put in 10,000 hours of effort on any topic / activity, you will become an expert in it.

It's somewhat similar to exercising. Whilst the notion of this exercise may be off-putting, as soon as you've done it, you usually feel good. However, you'll want to do 10 minutes of exercise every day, wait till the end of the week and also do 70 minutes -- it is not as good for you, doesn't build stamina, and you are way less inclined to do it.

So, to work out your lyric-writing muscle, should you set out to do 20 minutes of it a day, you'll (hopefully) start to notice a few traits inside your own writing. Maybe you enjoy certain phrases, specific rhyme schemes, or use a lot of the same vision -- like flame, or sunsets, or flying. Perhaps you write a whole lot of lyrics with the word'love' from the title. Or'center'.

Whatever you dedicate to, dedicate to it correctly. There's NOTHING like practice when mastering how to write song lyrics.

It is another cliche (yet more acquired wisdom!) , but when studying how to write lyrics that are better, it's frequently a good plan to stick to the familiar.

If you discover lyric-writing a suitable job, and you wish somebody else from the band was performing it, then perhaps they ought to be! It is important to have some thing to say, and also to tell the truth and genuine about it. If you are not enthusiastic, it will probably bleed into your own work. Thus, do you have something to say? It does not need to be more meaningful to anybody besides you. But it actually helps if you understand what you are after, if you know what your goal is; should you know who your audience is.

Last one is the onset of another point actually, and that's to do with servicing your own fanbase and giving them exactly what they want (and the value of producing content that customers really want ) -- but for this particular feature, we will remain focused on techniques for improvement.

If you realize you do not normally use fancy words, then don't abruptly swallow a dictionary and start spouting keywords . We will not be amazed -- it isn't you! It's not true... Whilst it is completely okay to use your creativity to describe items, but it still needs to be authentic...

So, is it:

'I could fraternise with you If you would only agree / I'd Love to disembark very quickly / A disingenuous lament'

OR

'I Need to be with you If only you would say yes But I need to get away / I can not pretend I am not a mess'

OK, so that is somewhat absurd, but when people consume music, they tend to be looking especially to connect with the substance -- and never more so than throughout the lyrics. Moaning about the diminishing quality of caviar in the past several years isn't always going to attract a major market of compassion or understanding from most listeners. But if you are an arch-camp musical job just like The Divine Comedy, then you might be able to get away with it, as it may just be a stereotypical character that is singing the tune. Then you laugh at how out of touch with the lives of the majority of people that character is, and the tune's purpose changes and becomes accurate.

Among the essential factors when learning how to compose song lyrics, would be to be completely yourself on your lyric writing. If you're connected to the stuff (particularly if you are then doing it ), you'll do a much superior job of promoting the song.

There is the old adage that behaviour breeds behaviour -- so if you are killing it on stage since you're linked to the material, you will do an wonderful job of communication it and therefore your viewers will be far more likely to respond favorably to it. It may not necessarily be the way to write good lyrics artistically (obviously, it still may be), but it is definitely better to your authenticity, which means that selling it in performance will be much better and easier. Result!

Get some technician prepared to assist you.

Whether you write on a personal computer or even a notebook, have an app ready to assist you with rhymes and alternative or more intriguing words to use. It doesn't suit everyone to utilize technology similar to this, however a website like www.rhymezone.com is absolutely free and will make any range of hints for rhymes, near rhymes and synonyms -- the bread and butter of how to compose lyrics. Additionally, there are some choices right here if you are stuck for songwriting ideas.

It is ok to be a moon/spoon/balloon rhymer, provided that your material is still true, but sometimes seeing a word that rhymes with your very first line will fire up you to pursue a certain lyrical direction -- or at least notify possibilities for the next couplet.

Those first traces .

They're so important. Initial impressions count. If you know what you would like to write about and have nailed the chorus lyric, the best way to get there might be equally as significant. You'll be trying to grab the listener with something... well, attention-grabbing.

Short sentences can be very successful:

'I whined / He cried / We were equally / Terrified'

Well, I've no idea where that's going, or what is previously taken place, however, I sort of want to know...

Similarly, very specific story-telling Can Be Quite compelling:

'The laugh lines around her eyes / Told a story of enjoying compromise / But the clothing that she always wore / End up screwed on the floor'

Instructions can catch a hold, also -- we are inclined to be programmed to Follow instruction:

'Everybody, clap your hands / Get those feet moving, too / We are going to find wild / No telling what we're gonna perform'.

Tense.

Well, how about experimentation?

Attempt writing something in the present tense, so it's actually happening in real time, as we hear. It is another way of making a treatment really persuasive:

'I'm reaching for your hand But you are pulling it away / I wish to show you some thing / If you will only let me say'.

Or you could attempt future tense, too -- very good for aspirational / wishing lyrics:

'I am hoping you'll fall in love with me Whenever you recall what we've seen...'

'I am gonna think bigger than earlier / I am gonna march up for the door...'

Move just a bit mad !

David Bowie famously wrote down loads of lines of lyrics, cut them up and then picked them from a hat at random to create eccentric associations and images -- then crafted them into song shapes from that point. They may not have actually meant anything to anyone besides him, but http://lorenzoabrz168.huicopper.com/the-most-common-mistakes-people-make-with-lyrics-in-tamil they sounded as they did, and then he performed them as they did.

All of us tend to fall into the exact patterns of thinking and use the identical word orders and phrases. So in the event you would like to know how to write lyricswith a spin, then here is a means to achieve it -- by letting fate be your songwriting partner!

Deliberately select unusual language or source material.

There is a reason that acts with titles such as Chvrches and NSYNC have emerged. When you search for them online, there is no chance of some other band showing up!

And it can be the exact same for a unique lyric. Toni Braxton memorably sang the Dianne Warren-penned Unbreak My Heart at which the character that the lyric was aimed at was also invited to'uncry these tears'. There's a wiggly red line showing on my computer to let me know that these are not actual words... and yet I know exactly what they mean. Warren invented speech to create the tune's point. Amazing!

OMD scored a big hit from the 1980s using Enola Gay, which is the name of this aircraft which dropped the bomb on Hiroshima! Soon then, they had 2 hit singles around Joan of Arc, known as Joan of Arc along with Maid of Orleans. What are the chances?

Tubeway Army asked Why Are Friends Electric? Really, men? Does this even matter?

And finally, and ,'I really, really, really wanna zig-a-zig-aah!" Thank you, the Spice Girls.

Nonetheless, it's all memorable things, and therefore sticks around!

Perform with language.

It can also be fun, hooky and fascinating to play with listener's expectations when you are thinking about how to write song lyrics.

Try adding words to a paragraph, one at a time, to keep changing the significance as each is additional. For instance:

'I really want you

I really want you to

I really want you to go

I really want you to proceed further'

Each line can be seen to communicate a different meaning or aim. It keeps the listeners on their toes! And they'll want to learn the way the lyric resolves...

Sayings and idioms could produce a basic principles of how to write fantastic lyrics: they are immediately recognisable and the gamer will appreciate their comfortable feel. But what if you should subvert them?

As an example, take a saying such as'people in glass houses shouldn't throw stones'. It's a highly contextual contemplation of being guilty of exactly the identical thing that you're about to accuse another party of. Essentially,'do not be a hypocrite'.

What happens if we change the word'stones' to'parties'? 'People in glass houses shouldn't throw parties'. Suddenly it's become (arguably) a social commentary on the upper classes projecting extravagant, decadent soirees in which the hoi-polloi can see them. And all we did was change just one word. It makes a smart pun with very little effort on our part.

Having fun with lyrics does not have to be clever in any respect. Understanding how to compose song lyrics is as much trial and error and practice since it's after your instincts or sneaking out of other people...

Err... what was this today?

Yep, I said it. Talent borrows, genius steals. In other words...

You can not really copyright a title, unless it's so idiosyncratic that it's obvious you've nicked it. So, take a look on the internet, or visit a record shop and pull up the best hits collections of a number of the best-selling artists of all time. Look down the track listing of those collections and take note of those names that resonate with you, or you can envision could do with the update!

Let's pick one today. What about the Bee Gees, they have had a whole lot of strikes. All these could spark off new and modern lyrics. Too near to being first? Add or subtract them words: More words , Love Someone , Way Too Much Heaven and that I Love You Inside And Outside . However, I don't believe I'm gont contact Fanny (Be Tender With My Love).

I'm going to state this more than once. Not actually. Whether you repeat a word or segment to the same tune (to possibly really hammer it home) or if you change each tune, it could make something stand like glue:

'I need it / I want it all / I want it all And I want it now': I Want It All, Queen

OK, this illustration isn't rocket science, but ideas like this, where the lyrical repetition coupled with an ascending melody will help build tension and add to the pay-off for a bit of music just works.

That is why your chorus lyric has to be good, or smart, or memorable (and ideally three) -- since during the course of a tune it is going to keep coming round.

Another example:

And not underestimate how manufacturing can enhance a lyric. This whole cheerleader vibe thing that Mickey has moving helps turn the tune into an anthem -- something that the amazing unwashed can chant and in all of their tuneless, enthusiastic glory. And while we are talking about huge and pompous anthems, Queen sort of wrote the novel that with their dual A-side only from 1977 We Will Rock You / We Are The Champions.

If you are smart, such as Brian May was if he composed we'll Rock You, you can reverse-engineer moments like this. He wished to compose a song for the audience to execute. Stamp stamp clap.

Synergy.

Of course, each one these lyrics will be connected to melodies, and the ultimate intention is to get each to add to the other. Likewise, a haunting backing course warrants a spectral lyric to improve it. So it is worth it to be sensitive to this music you're setting them to.

If you are somebody who writes lyrics first (at an Bernie Taupin / Elton John situation ), it's smart to consider the arrangement to help the composer out.